Traces of my chalks (I). 2nd half decade 70 (XX century)

Traces of my chalks (I). 2nd half decade 70 (XX century)

Like This Video 0 1434 animacam
Added by 20 October, 2016

“Pieces recovered from the deepest of the ocean. It’s a bit a unchaste…as it is to show the photos from the first Communion, or as a baby on the towel with the naked ass”

 

720big_lobo_1973

“Pieces recovered from the deepest of the ocean. It’s a bit a unchaste…as it is to show the photos from the first Communion, or as a baby on the towel with the naked ass”

 

Girl reading (1976) / Pencil.

Girl reading (1976) / Pencil.

Mother and daughter post-nuclear (1979) / Ink. I had just hooked to comics and I really marked science fiction and Esteban Maroto.

Mother and daughter post-nuclear (1979) / Ink. I had just hooked to comics and I really marked science fiction and Esteban Maroto.

 

 

Illustration for the fanzine "Xofre". He had discovered Moebius. Ink (1979)

Illustration for the fanzine “Xofre”. He had discovered Moebius. Ink (1979)

 

 

 "A petadura do orballo '/ 4, ink (1979).

“A petadura do orballo ‘/ 4, ink (1979).

 

 

“This was my first story. I made it while I was studying in the Architecture School, in 1979, for the single edition of the magazine Xofre, which we edited by the same name group, with Fran Jaraba and Xan Carlos López Domínguez. Esteban Maroto was in that moment an important figure in my drawing.”

“This was my first story. I made it while I was studying in the Architecture School, in 1979, for the single edition of the magazine Xofre, which we edited by the same name group, with Fran Jaraba and Xan Carlos López Domínguez. Esteban Maroto was in that moment an important figure in my drawing.”

 

aespera

“This was the second story I drew. The influence, I think, it’s evident Segio Toppi, to whom I have always admired. The text was written by a friend of mine, Arturo Casas and, although Toutain Editor stated to be interested on release it, this is my only unpublished work.” “Unfortunately, I have lost the text, but I remember the first picture: “ Worshippers of stones stonecutters from the Forcarey fields would have arrived in the end of the past century to rise the stony cocoon in which the master of my parents wanted to bury alive”

 

 

Source: http://www.miguelanxoprado.com

Similar News

Traces of my most diverse chalk (V)

0 166 0

Here is a multifaceted synthesis of several works of Prado, commented by the same. Places “For two years, I weekly made the illustration of a text about a city or a place in the world, which was alternatively writtten by

Traces of my chalks (IV). XXI century

0 235 0

  The epoch of the Graphic Work with magnificent grounds, where Miguelanxo Prado, in addition, will develop what he considers his novel culmen, to date, Ardalén. The Galician Architects Association (Colexio Oficial de Arquitectos de Galicia or COAG) asked me to

Traces of my chalks (III). Decade 90 (XX century)

0 246 0

Perhaps the most prolific period Miguelanxo Prado and international aggrandizement of his work.                                   Source: www.miguelanxoprado.com

Traces of my chalks (II). Decade 80 (XX century)

0 701 0

                    The eighties mark a final before and an after on the Author´s work. Source: www.miguelanxoprado.com

Miguelanxo Prado. The profile of his work

0 586 0

Animacam is a Festival created by animation lovers for all those passionate for this genre. From different corners of Galicia, Spain (A Limia, Santiago de Compostela and A Coruña), the Festival has always wanted to value the nearest, appeal the

No Comments

No Comments Yet!

No Comments Yet!

But You can be first one to write one

Only registered users can comment.