Traces of my chalks (I). 2nd half decade 70 (XX century)

Traces of my chalks (I). 2nd half decade 70 (XX century)

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Added by 20 October, 2016

“Pieces recovered from the deepest of the ocean. It’s a bit a unchaste…as it is to show the photos from the first Communion, or as a baby on the towel with the naked ass”

 

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“Pieces recovered from the deepest of the ocean. It’s a bit a unchaste…as it is to show the photos from the first Communion, or as a baby on the towel with the naked ass”

 

Girl reading (1976) / Pencil.

Girl reading (1976) / Pencil.

Mother and daughter post-nuclear (1979) / Ink. I had just hooked to comics and I really marked science fiction and Esteban Maroto.

Mother and daughter post-nuclear (1979) / Ink. I had just hooked to comics and I really marked science fiction and Esteban Maroto.

 

 

Illustration for the fanzine "Xofre". He had discovered Moebius. Ink (1979)

Illustration for the fanzine “Xofre”. He had discovered Moebius. Ink (1979)

 

 

 "A petadura do orballo '/ 4, ink (1979).

“A petadura do orballo ‘/ 4, ink (1979).

 

 

“This was my first story. I made it while I was studying in the Architecture School, in 1979, for the single edition of the magazine Xofre, which we edited by the same name group, with Fran Jaraba and Xan Carlos López Domínguez. Esteban Maroto was in that moment an important figure in my drawing.”

“This was my first story. I made it while I was studying in the Architecture School, in 1979, for the single edition of the magazine Xofre, which we edited by the same name group, with Fran Jaraba and Xan Carlos López Domínguez. Esteban Maroto was in that moment an important figure in my drawing.”

 

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“This was the second story I drew. The influence, I think, it’s evident Segio Toppi, to whom I have always admired. The text was written by a friend of mine, Arturo Casas and, although Toutain Editor stated to be interested on release it, this is my only unpublished work.” “Unfortunately, I have lost the text, but I remember the first picture: “ Worshippers of stones stonecutters from the Forcarey fields would have arrived in the end of the past century to rise the stony cocoon in which the master of my parents wanted to bury alive”

 

 

Source: http://www.miguelanxoprado.com

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